Making, sharing, and organizing music have long shaped urban life by drawing new tangents between people, places, narratives, symbols, and technologies. Today, these practices unfold within increasingly complex socio-spatial conditions.

A central tension in contemporary cities lies between institutional representations of urban space – how cities are described, planned, governed, and formalized – and cities as they are continuously produced through lived, situated activity. That gap is where I operate: providing gravity to concepts, confidence to aspirations, substance to claims, and credibility to testimony.

My work begins with close attention to how people use, inhabit, interpret, adjust, and transform spaces, formats, and institutions, and develops through interventions that test what different conditions might reveal.

I am interested in what happens when spaces, formats, and institutions are designed to make new forms of use possible. Rather than designing for a fixed outcome, I create and develop conditions that can be interpreted, adjusted, and transformed by the people who encounter them.

The resulting practices are often difficult to predict. And that is the point.